TLM 103
The TLM 103 is the ideal large diaphragm microphone for all professional
and semi-professional applications requiring the utmost in sound quality
on a limited budget. By utilizing the tried and true transformerless
circuit found in numerous Neumann microphones, the TLM 103 features yet
unattained low self-noise and the highest sound pressure level
transmission. The capsule, derived from that used in the U 87, has a
cardioid pattern, is acoustically well-balanced and provides extraordinary
attenuation of signals from the rear. The TLM 103 is available in satin
nickel and matte black. Delivery includes an SG 1 metal swivel mount and a
wooden jeweler's box.
SE-1A
Building on the incredibly popular SE1, the SE1a retains the same capsule
but mates this with even quieter electronics, all housed in a very sexy new
look body. This end fire small diaphragm microphone really is astonishing
value for money.Great for drums, pianos, acoustic and amplified instruments
the SE1a is a must have for any size studio.
SE-2A
This all new microphone takes the SE1a to the next level, with 3
interchangeable capsules which offer Omni, Cardioid and Hypercardioid.
Packaged with a very smart shockmount the SE2a is perfect for any recording
application. This small diaphragm pencil condenser microphone will blow you
away with its ultra detailed sound and amazing value for money.
SE-3
The SE3 builds on the popular sound of the SE1a and SE2 and offers both a
low cut filter and 10dB pad as well as superior electronics and body shell.
The SE3 package comes with a robust shockmount and is SE Electronics' top of
the range pencil microphone.
The SE2200A studio condenser mic draws on and improves the incredible specifications that won the original SE2200 so many awards around the globe. Whilst it still shares the same 1” gold vacuum plated diaphragm as the SE2200, the electronics are all new and much improved offering low self generating noise and therefore a better signal to noise ratio. The SE2200A has a low cut filter, 10dB pad to and also comes complete with a very rugged aluminium shock mount and flight case. So now you can have all the versatility of the SE2200 with improved performance for the same incredible price.
Class A FET Studio Condenser microphone with 1.07” gold sputtered diaphragm. Cardioid polar pattern. Complete with shockmount and deluxe aluminium flightcase.
Our new Z-1100 condenser microphone is designed for use in professional recording studios,project studios,home recording studios,live recording applications,and broadcast applications.It boasts discrete class A FET electronics featuring a transformer coupled balanced output.The Z-1100 has a wide frequency response,smooth response curve,large dynamic range,and low distortion.The Z-1100 polar pattern is fixed cardioid.Our new type Z-1100 microphone now has a 3 to 6 DB lower self noise than our previous models,while stll utilizing our precision 1.07" Gold sputtered Diaphragm.This versatile microphone will surely find a home in any microphone cabinet as its performance is reliable and its value s unsurpassed.
Studio Condenser microphone with 1” gold sputtered diaphragm. Cardioid polar pattern. 100Hz filter and 10dB pad.Complete with shockmount and deluxe aluminium flightcase.
The Z3300A is our most versatile class A FET microphone and utilises a large 1.07” twin diaphragm which gives the engineer a choice of three polar patterns, omni, cardioid and figure of eight.Couple this with a 100Hz low cut filter and new ultra clean, ultra quiet Z range electronics and the Z3300A is the ultimate solid state microphone for almost all recording applications, from vocals, to pianos and acoustic instruments.
The Z5600 won many, many awards in the professional audio press worldwide, and has won thousands of fans with its ultra clean and detailed valve sound, nine polar patterns and great performance enhancing looks. The Z5600A, now used in many of the world’s top professional studios, is an incredibly versatile mic and yet is also one of the best vocal mics on today’s market. With graded steps between three main capsule patterns, Omni, Cardioid and Figure of eight the Z5600A finds uses in a huge number of applications, from micing a live drum kit, to overhead on a choir. Most ostensibly though, this superb mic has won its praise on delivering a superb vocal recording, with natural warmth and incredible detail. This beautiful mic, comes in a wooden presentation case, cradles in a full aluminium flight case with a large shock mount, power supply with pattern switching and cables.
The brand new Icis valve tube condenser is stunning. Stunning looks, stunning design, stunning sound, and at a stunning price. Sharing the same large 1.07” gold Edge Mount diaphragm as the Z5600 with a fixed cardioid pattern, everything about the ICIS is designed to capture the warmest most detailed vocal take imaginable. Coupled with absolutely beautiful looks that will inspire any singer the ICIS valve microphone may just be the most important mic in your studio.
Here it is. The Gemini dual valve microphone. SE Electronics ultimate design. A no holds barred all singing all dancing, cost no object piece of microphone history. It really doesn’t get any better than this. The dual valve design means pure valve warmth from the 12AX7 input valve coupled with a 12AU7 valve on the output stage in place of the traditional transformer. The result is an incredibly large detailed and intimate sound reminiscent of the classic valve microphones from decades ago. If you are after something that extra bit special you really must hear this microphone. Prepare to be amazed.
The MD 421 II is one of the best known microphones in the world. Its excellent sound qualities enable it to cope with the most diverse recording conditions and broadcasting applications. The five position bass control enhances its 'all-round' qualities. Colour: black, sound inlet basket: refined steel, black.
The MD 21 U can be used for both speech broadcasting (interviews, reporting, discussions, etc.) and music broadcasting (boom and room mics). Colour: black,
sound inlet basket: refined steel.
The ME 66 is a short gun microphone head designed for use with the K6 and K6P powering modules. It is especially suitable for reporting, film and broadcast location applications and for picking up quiet signals in noisy or acoustically live environments as it discriminates against sound not emanating from the main pick-up
direction. Matt black, anodised, scratch-resistant finish.
The K6 powering module is the heart of this Sennheiser professional modular microphone system and can be powered either by its internal 'AA' size 1.5 V battery or by 12 - 48 V phantom power. The K6 can be combined with different condenser microphone heads to provide a wide variety of polar patterns. Matt
black, anodised scratch-resistant finish.
The e 602 is a cardioid microphone especially suitable for use with bass drums, bass guitar cabs, tubas and other low frequency instruments. Sound inlet basket: refined steel.
The e 604 is a cardioid microphone especially suitable for use with drums and brass instruments. Sound inlet basket: refined steel.
Battery status LED for reliable monitoring of remaining battery life
Can be powered by internal 9 V battery or by phantom power (9-52 V DC)
PPC 1000 allows the microphone to be switched from cardioid to hypercardioid pickup pattern
Presence Boost Adapter PB 1000 is included for high-end enhancement.
Ideal multitrack recording "workhorse" thanks to very low self noise
Cardioid polar pattern for multiplicity of applications
Exceptionally smooth frequency response.
Highly affordable large-diaphragm microphone technology
Cardioid polar pattern for multiplicity of vocal and instrument applications.
One of the most silent condenser microphones available today
Up front sound in the mix
Selectable cardioid, hypercardioid, and omnidirectional polar patterns for every recording situation.
Large-diaphragm reference microphone
High sensitivity and extremely low self noise
Five switchable polar patterns for placement and application flexibility
Two-color LEDs provide quick visual indication of selected polar pattern and output overload
Elastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibration
High sensitivity and extremely low self noise
Five switchable polar patterns for placement and application flexibility
Two-color LEDs provide quick visual indication of selected polar pattern and output overload
Elastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibration
H 85 professional shock mount/stand adapter, PF 80 external pop filter and W 414 X external windscreen.
Vacuum tube large-diaphragm microphone
Cardioid polar pattern for multiplicity of applications
Exceptionally natural, warm sound
Tube sound enriches digital recordings
Complete with many useful accessories and aluminum carrying case.
Extremely compact, reliable circuitry
Switchable bass cut filter
Switchable 10-dB preattenuation pad
Unique bayonet mount for capsules
Universal phantom powering.
Omni capsule with very wellbalanced sound
Mounts directly on SE 300 B powering unit or connects via 3-m cable.
Consistent hypercardioid polar pattern and good, frequency independent off-axis rejection
Mounts directly on SE 300 B powering unit or connects via 3-m cable.
Large-diaphragm dynamic microphone for bass instruments
Extremely high SPL capability
Classic microphone for stage and studio applications.
The TLM 170 R was the first microphone to use the successful fet 100 technology. Along with a balanced, transformerless output stage it features extremely low self-noise and an impressive dynamic range.
Five directional characteristics are selectable by means of a rotary switch. In the sixth position, marked "R", the directional patterns can be controlled remotely with the N 48 R-2 power supply. There is no special cable necessary for this purpose. The microphone has at its rear a 10 dB attenuation switch for extremely high sound pressure levels, and a high-pass filter to suppress structure born noise.
The TLM 193 is a large diaphragm microphone with a cardioid polar pattern. With this microphone Neumann continues its long tradition, and is offering high end technology at an affordable price for musicians and the home recording studio. The microphone uses a transformerless circuit, featuring extremely low self noise and large dynamic range. The polar response is very linear over a wide incidence angle. Thus, even signals coming from the side are reproduced faithfully and without coloration. The exposed surface of the microphone capsule is at ground potential, making it immune to typical interference and contamination. The microphone is supplied with a swivel mount.
The M 147 Tube is a vacuum tube condenser microphone with cardioid characteristic. At the heart of this microphone is the K 47 dual diaphragm capsule, inherited from this model's now legendary predecessors, the U 47 and the M 49. Following the capsule is a tube that functions as an impedance converter. The next stage is an efficient, transformerless output circuit, that guarantees an extremely low self-noise level. Note: This innovative combination of current tube technology with the most advanced solid-state circuitry was decisive in awarding the 1997 TEC Award to the related M 149 Tube mic. The M 147 Tube can feed extremely long microphone cables without affecting the quality of the audio signal. Like all Neumann tube microphones, the M 147 Tube comes with an elegant satin nickel finish.The microphone is delivered as a complete set in a high-quality aluminum case. Included with the microphone are a microphone cable, a metal swivel mount for a mic stand, and a compact universal power supply for standard mains sockets. Our modern manufacturing methods makes it possible to offer this complete set at a very attractive price.
The M 149 Tube is a variable dual-diaphragm microphone. The K 49 capsule – well-known from the legendary U 47 and M 49 microphones – is followed by a tube functioning as an impedance converter. In contrast to earlier concepts – utilizing a transformer – the tube is complemented with a transformerless output circuit design. The M 149 Tube can thus feed long microphone cables without any coloration. Two slide switches are located below the large, acoustically very open headgrille. The switch at the front allows selection one of nine directional patterns. The slide switch at the rear operates a seven-step high pass filter. It allows a very fine adjustment of the cut-off frequency.
M 150
Since the 1950s, the Neumann M 50 has been heralded as the ideal microphone
for orchestral recording and string scoring. With its phenomenal transient
response and unique directional characteristic, this classic mic has
endeared many fans, both in the control room and on the soundstage. The new
M 150 Tube takes many of the features from the original M 50 and
incorporates them in a very modern microphone. With low self noise, a
Titanium membrane and capsule, transformerless tube amplifier and
sophisticated power supply, the M 150 Tube is not a reissue but an entirely
new microphone in its own right.
U 87
The U 87 is probably the best known and most widely used Neumann studio microphone. It is equipped with a large dual-diaphragm capsule with three directional patterns: omnidirectional, cardioid and figure-8. These are selectable with a switch below the headgrille. A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion. Furthermore, the low frequency response can be reduced to compensate for proximity effect.
The U 87 is probably the best known and most widely used Neumann studio microphone. It is equipped with a large dual-diaphragm capsule with three directional patterns: omnidirectional, cardioid and figure-8. These are selectable with a switch below the headgrille. A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion. Furthermore, the low frequency response can be reduced to compensate for proximity effect.
The U 89 is a studio microphone for universal applications. The headgrille protects a dual-diaphragm capsule. A rotary switch below the headgrille selects from five different polar patterns. Therefore the microphone can be adapted easily to large sound sources, and those that are spread wide apart, or to sound sources to be recorded at a greater distance. The amplifier accepts sound pressure levels up to 134 dB without distortion. This figure can be increased to 140 dB. An additional rotary switch activates a filter that changes the low frequency response either below 80 Hz or 160 Hz frequency.
The "Series 180" consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications. Because of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the "Series 180" is predestined for economy-minded production and home recording studios. The KM 183 omnidirectional and KM 185 hypercardioid microphones are based on the tremendously successful KM 184 cardioid microphone, which has become a standard within the global studio community in just a very short time. All "Series 180" microphones are available with either matte black or nickel finish. They come in a folding box with a windshield and two stand mounts that permit connection to the microphone body, or the XLR-connector.